Considering the recent socio-technological, psychosocial, political, and economic developments, will the urban planning practices (in the systemic sense of its exercise) be able to adapt to a growing, changing urban culture? Noting the diverse variety of contemporary spatial practices in which methods, concepts, and discourses tend to be sealed off from one another, this reflection calls for a reevaluation of the plurality dimensions and layers in the construction of the urban reality, questioning in this process, the predictable hegemony regarding the supremacy of Architecture in shaping modern and current urban imagery. This essay seeks to foster a reflection on new contemporary paradigms of Western urban life, tracing a retrospective view that allows us to look systemically at what we have built. In this process, the aim is to stimulate a future collision path, a conceptual and operational dialogue between the creative disciplines of Architecture and Contemporary Art on the current urbanization courses, proposing this possible relationship as an inseparable disciplinary set in the process of producing public space and urban territory. Putting forth the hypothesis of reassessing the established models of contemporary urban planning, the goal is to explore the possible operationality of the bauhausian canon in its historical disciplinary triad (architecture/art/design) while, in a process of symbiotic interaction, considering them as complementary tools in urban design concept, promoting a pluralistic and expanded dialogue between the processes of designing, requalifying, and resignifying the future places.
Cover image: “Plaza de los Fueros”, Vitoria-Gasteiz. Designed in 1979 by Eduardo Chillida and Luis Peña Ganchegui
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Arnaiz, Ana, and Iskandar Rementeria. “Saber De Escultor Entre El Arte Y La Ciudad.” Art&Sensorium – Revista
Interdisciplinar Internacional de Artes Visuais da UNESPAR/EMBAP 1, no. 01 (2014): 153-71.
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