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Submission Preparation Checklist

As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.

All submissions must meet the following requirements.

  • The submission file is in OpenOffice, Microsoft Word, or RTF document file format.
  • Where available, URLs for the references have been provided.
  • The text adheres to the stylistic and bibliographic requirements outlined in the Author Guidelines.
  • The submission for open call has not been previously published, nor is it before another journal for consideration (or an explanation has been provided in Comments to the Editor).
  • All illustrations, figures, and tables are placed within the text at the appropriate points, rather than at the end. High resolution images will be asked for only at the end for publication.

Author Guidelines

Manuscript Submissions  

  • Manuscripts for upcoming submissions are accepted and published in English. 
  • All authors should include their institutional affiliations and email addresses. One author should be identified as the corresponding author and full contact details including email, mailing address and telephone numbers should be provided. 
  • Text must avoid discriminatory language and inferences. 
  • Authors should carefully make sure that the manuscripts are in accordance with the instructions for authors. Manuscripts that do not pass the preliminary check based on these guidelines may be returned for corrections before being sent out for review. 

 

Manuscript Preparation and Submission format 

  • The format of submissions will be of three types: 
             (a) Full papers: this format is admittedly theoretical and of critical reflection, is predominantly written and should have between 4500 to 6000 words;
          
    (b) Short papers: this format is admittedly theoretical and of critical reflection, is predominantly written and should have between 1500 to 3000 words;
           (c) Visual essays: this format is admittedly applied / practical and is specifically addressed to authors using photography/ the image in their work as the main instrument of research, communication, design and artistic expression. It should have 6 to 8 pages and include a written section between 800 to 1500 words. 
  • All submissions should include title, abstract, 5 keywords, footnotes, reference list, images, and, when needed, tables and appendices. 
  • Manuscripts should contain an abstract of no more than 200 - 500 words, describing the purpose, the methods, and the general findings of the study. Following the abstract, manuscripts should include five keywords.
  • References and quoting should follow the the APA Style Manual (page numbers for direct quotes). 
  • Quotations exceeding 40 words should be displayed indented in the text. 
  • Headings and sub-headings should be clearly distinguished. 
  • Explanatory footnotes should be avoided whenever its contents can be included in the main text. 
  • If you have any questions or need further information, please contact our editorial team:
    scopiomagazine@arq.up.pt

 

Anonymisation for open calls

  • The author(s) should send two separate files, one with the author(s) details, and one without. The author(s) must ensure that the initial submission is anonymised, by removing any identifying information, including authors’ name(s), institutional affiliation, acknowledgements, grants awarded, self-citations, etc. In text, this information can be replaced by substituting words: for example, "[reference removed to maintain the integrity of the review process]". Self-citations should appear at the top of the reference list as "Author citation" with the publication year. 
  • All identifying information will be added later to the text after the peer-review process. 

SCOPIO & CONTRAST OPEN CALL

SCOPIO & CONTRAST OPEN CALL
Exploring Contemporary Realities.

This section is the result of a new collaboration of scopio Magazine AAI with the project Contrast: Multidisciplinary network of artistic initiatives in Art, Architecture, Design and Photography through SCOPIO & CONTRAST International Conference.

This section will have as responsible Editors academics / artists coming from both scopio Magazine AAI and the Contrast project. This editorial team will ensure the necessary peer review work through the U. Porto OJS platform.

scopio Magazine AAI will be, in this way, the official publishing academic periodical for International Conference SCOPIO & CONTRAST and the submissions are both for the Conference and its 2nd volume in partnership with Contrast addressing the theme Exploring Contemporary Realities.

The most relevant (expanded – full manuscripts) contributions of International Conference SCOPIO & CONTRAST will be published in this section.

VISUAL SPACES OF CHANGE | Editors José Carneiro, Pedro Leão Neto

The call for this section focuses on projects and theories that research and critically explore different visual communication strategies based on the development of contemporary photography projects, focusing on how architecture and the different dynamics of urban change allow us to foresee possible futures, utopian or dystopian.

We believe that contemporary photography enhances the exploration of future views on architecture, the city and the territory, also enabling the identification of transforming paths of the spaces represented. We are, therefore, interested in studies and projects where the image is significantly present — with particular focus on photography — as an instrument of research and communication capable of crossing borders and shifting limits between different disciplinary areas. Work capable of dealing with transversal problems that affect different territories, contributing to a spatial transformation and social integration and, therefore, more positive. It is intended to welcome projects that deepen more and less speculative theoretical-practical dynamics that have as their main focus the identification of problems inscribed in the complexity of contemporary life and what comes from it.

ARCHITECTURE, URBANISM AND TECHNOLOGY | Editor David Viana

This section focuses on the matter concerning the need to increase the semantic length for technological development in architecture and urbanism, having as a frame of reference Utopia – the focus of this first number of scopio AAI.

Digital advances in artistic fields and the architecture sector led to the exploration of innovative features based on the potentiality of new digital tools and technological processes, introducing novel effects in architectonic shapes and artistic production. Nevertheless, some advances in these areas reveal a lack of semantics, being almost merely an opportunity to exhibit “complex” spaces, volumes, and artifacts. The need to bring meaning to technological approaches in architecture, art, and image implies boosting the discussion about the substance of those approaches and their relationship to architecture and urbanism. Meaning is associated with sense, and, therefore, with content and context. As such, this section will highlight research on conscious innovation targeting inclusive participation in space appropriation and collaborative digital immersion in architecture and the built environment – by using computational processes that enable the formalization of new architectural “languages” and the consolidation of behavioral changes concerning hybrid living spaces (between its virtual and physical dimensions).

Technological engagement in architecture – supported by a behavior shift in the environment and the object/user – can promote an augmented and holistic reality, fostering feedback between buildings, people, milieu, and machines and higher co-creation performance towards the future of architecture and the built environment. Within this framework, we are interested in research and/or projects that tackle the notion of meaningful digital in dystopic tech contexts (real and/or virtual ones). We invite authors to bring us their thoughts and works on Utopian technologically embodied future environments.

UTOPIA | Editor Joana Caetano

This section focuses on how the notions of utopia and of a visionary future can turn into collaborative tools for the transformation of our society. We are interested in authors and works which amplify and reanalyse the Utopian thinking within the complex concept of nowadays democracies and who also believe that utopia can be both a source of inspiration and a tool to create better worlds. Utopias can be wishful images directing us towards real possibilities and helping us forge a path towards social transformation, thus we are interested in works that point out the potential of Image as a medium capable of crossing borders and dislocating boundaries between different Architectural and Artistic areas, encouraging the creation of multidisciplinary teams to address cross-cutting problems affecting Architecture, Cities and Territories.

COLLECTION | Submitted Manuscripts

Papers submitted the content of which does not fit in the specific subject of the issue; visual essays and/or papers considered of interest, which do not fit in one of the thematic sections of our journal.

ARTISTS PORTFOLIOS

Artists portfolios submissions should conceptually relate with the specific subject of the issue.

EXHIBITIONS / REVIEWS | FEATURED TEXTS, RESEARCH PAPERS OR PROJECTS | Editors Ana Miriam Rebelo, Maria Neto

Critical reviews of publications, exhibitions and conferences in the field of architecture and image, written by a third person.

FLASH: REVIEWS AND CURATORIAL PROJECTS | Editor Gabriel Hernández

Cultural agenda to inform about a series of exhibitions and and curatorial projects related with the global theme and call of scopio Magazine Architecture, Art and Image publication that take place in the country or at international level.

DRAWING AND PHOTOGRAPHY INTERNATIONAL CONTEST

The AAI scopio publication integrates the International Drawing and Photography Contest (DPIc) - Architecture, Art and Image – UTOPIA, which interconnects the universes of Architecture, Art and Image with the Utopian desire for a better world and for spaces that provide a better quality of life. Important ideas present in the DPIc are opening the Universities to the Civil Society through diverse submitted projects, showcasing the multifaceted richness of activities, experiences and architectures. The coordination of the contest is the responsibility of the Center for Studies in Architecture and Urbanism of the Faculdade de Arquitectura da Universidade do Porto (CEAU/FAUP) through its research group AAI and the Centre for English,Translation and Anglo-Portuguese Studies of the Faculdade de Letras da Universidade do Porto (CETAPS/FLUP), the Transdisciplinary Research Centre «Culture, Space and Memory» I&D research unit (CITCEM / FLUP), Research Institute in Art, Design and Society (I2ADS / FBAUP) and Research Institute for Design, Media and Culture [ID+] and the Institute Arquitecture. It also has he institutional support of U.Porto’s Rectorate and in partnership with AEFAUP, counting with the support of other Student Associations of U.Porto.

 

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