Lorenzo Stefano Iannizzotto (1994) completed a master’s degree in Architecture at the Faculty of Architecture of the University of Florence in 2021. He is researcher at ISTAR-IUL (Information Sciences, Technologies and Architecture Research Center) and DINÂMIA'CET – Iscte, (Centre for the Study of Socioeconomic Change and the Territory), Iscte, University institute of Lisbon. He is a PhD student in the doctoral program Architecture of Contemporary Metropolitan Territories at ISCTE-IUL. In 2018 and 2021, he worked as architect at Ventura Trindade Arquitectos (Lisbon). In 2021 he won an honourable mention in the competition Un-locking cities. Nuovi scenari per l’abitare (Un-locking cities. New scenarios for living), organized by the University of Florence.
He is currently working within the project “SizaATLAS. Filling the Gaps for World Heritage” (2021-2023).
The new urban condition has generated ambiguous spaces within it: Terrain Vague or Urban Voids are spaces within the city, nameless and without clear boundaries, difficult to define. They are unpaved and vegetated spaces that are neither public spaces, nor gardens, nor agricultural fields, lying in a state of abandonment, suspension, and invisibility. With no specific function and temporarily outside the logic of the market, these spaces are appropriated and used daily by people and nature.
Indeed, they eschew traditional cartographic representation, where they are often represented as mere white spaces, or spaces with future destinations. For this reason, walking as a common action becomes the fundamental tool for approaching, getting to know, and studying these spaces, while photography and other visual media become not only a means of representation, but also of studying and understanding the dynamic reality of these spaces and the different realities that inhabit them.
With this visual essay, I do not aim to provide an unambiguous representation or definition of these spaces, far from it. Going along with the fragmentary and uncertain nature of these places, I have used photography as a means of urban research to understand and describe these places, and as a personal travelogue within these spaces, as if to take notes. Having chosen Lisbon as the privileged terrain of my research, this visual essay has the sole purpose of trying to represent these spaces in a disorderly and fragmentary way, following their nature, and in doing so, trying to unveil a hidden beauty and reveal their enormous potential for the city.
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Gandy, Matthew. “Landscapes of Deliquescence in Michelangelo Antonioni’s Red Desert.” Transactions of the Institute of British Geographers 28, no. 2 (2003): 218–37. https://doi.org/10.1111/1475-5661.00088.
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Mariani, Manuela, and Patrick Barron. “Cinematic Space in Rome’s Disabitato: Between Metropolis and Terrain Vague in the Films of Fellini, Antonioni, and Pasolini.” Modernism - Modernity. Johns Hopkins University Press, 2011. https://doi.org/10.1353/mod.2011.0048.
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Acknowledgements
The author sincerely thanks The Foundation for Science and Technology (FCT) for funding the author's research grant with the reference 2022.11783.BD.
